Kickoff the summer with the Stella’s On 16th Summer Concert Series! The first concert of 2017 will feature Grayson Erhard and Patti Fiasco.

Enjoy free, live music in The Plaza at The Triangle Building at 1550 Wewatta St, Denver on Thursday, June 22nd from 4:30pm-9pm. The Plaza is located in LoDo right next to Union Station in downtown Denver. Food and drinks will be available for purchase from Stella’s On 16th right on The Plaza.

This is the first concert of the Summer Concert Series put on by Stella’s On 16th. Stay tuned for more amazing performers and concert dates!

Sponsors:
DaVita Kidney Care
The Coloradan
Union Denver
BORN
Union Investment
Royal Wine Corporation

About Grayson Erhard
Hailing from Del Norte, Colo., Grayson Erhard’s style leans heavily on the technically complex tap-slap style of percussive guitar often paired with moving, airy vocals. Erhard often feels the pull between performing as a musicians’ musician and the accessible, trend-obsequious world of pop, creating a sound that weaves between complement and contrast. This unique tension, combined with Erhard’s experience sharing the stage with Stevie Wonder, has led to Erhard’s viral success and a sound that both complements and contrasts his various styles.

Songs like “Manifest” and “Tapestry” showcase Erhard’s ability to stand on his own, organically, and represent beacons of the kind of musician Erhard strives to be.

While he daylights as a computer programmer, Erhard’s work showcases his authentic, organic style, honed since his childhood in the southern Colorado town of Del Norte—a rural community of 1,800 people on the western edge of the San Luis Valley. More commonly known as “The Valley,” it’s a section of Colorado hot with alien observatories and cosmic undertones. Here, in isolation, Erhard ground out a sound that is entirely his own, but this small town was no place to pursue a music career or develop his budding interest in programming, driving him to the Front Range.

However, after moving to northern Colorado, he quickly experienced culture shock. The oversaturation of fake news, politicking and the constant distraction of this new environment drove him to the extent that he needed to write music relentlessly. Hence his standout piece, “Manifest”, was born, a cultural narrative that laments our dependence on social media and its propensity to overwhelm our lives. “Manifest / your world is your reflection,” Erhard sings in its video, surrounded by televisions and computers that flicker with images of then-president Barack Obama, Kim Kardashian and infomercial detritus. Written in part to assail the internet, Erhard’s song was championed by it. In November 2016, “Manifest” shot to nearly 1 million views from Facebook and YouTube in its first week, with an appearance on Reddit’s front page.

Recently following the viral success of “Manifest”, Erhard was finishing an abbreviated cover of Stevie Wonder’s “Superstition” to a small audience at a music trade show called NAMM (National Association of Music Merchants) when Wonder himself approached the stage. Baffled, Erhard apologized to him for not knowing the lyrics to the second and third verse.

The rest is viral history.

I’ll teach you the words you don’t know,” Wonder said, and over Erhard’s knotty guitar playing, the two launched into an impromptu duet. The crowd grew exponentially and proceeded to watch through their phones. The next day, Erhard was in Rolling Stone, taking calls from Good Morning America and appearing on major television networks all across the globe. The media attention from that second strike of viral lightning allowed Erhard to resign from his day job to pursue music full time.

Ironically, with the help of his computer programming background, Erhard has been able to capitalize on the importance of social media by building a web presence and community around his music, pushing his message of authenticity via the channels that challenge it.

He is currently independent of a record label, self-managed, self-booked and self-promoted (https://graysonerhard.com).

About Patti Fiasco
Jet-fueled by powerhouse front woman Alysia Kraft, The Patti Fiasco rides the edge of emotional extreme, delivering a brash yet fiercely soulful brand of rock and roll with a heavy dose of rockabilly, blues, and ballad. At times raw and volatile, and at others, sweet and lilting, the band fuses a hard-rock swagger with the two-step of its Wyoming roots. It’s the attitude of Joan Jett with a Steve Earle twang, the soul and slide of Bonnie Raitt, Black-Keys-style dirty blues-rock, and the lyric edginess of Shovels and Rope.

Kraft’s unrelenting energy, inspired songwriting, and vocals “as pure and clean as they are powerful” (Westword) earned her FoCoMA’s 2013 Best Front Person award. The dobro, handmade and electrified—literally—by band member and 2007 RockyGrass dobro competition winner Ansel Foxley, builds the band’s signature blend of rock, country, and Americana. Lead guitarist Dee Tyler’s riffs range from gritty and driving to pensive and melodic, and his backing vocals add warmth to Kraft’s pointed lyrics. On bass, Niles Mischke anchors the sound with solid, feel-good grooves, delivering an irresistible dance-floor appeal. Formidable drummer/percussionist Peter Knudson’s smart yet gut-driven rhythms drive the group with a primal energy tempered by subtle sophistication.

Conceived at a Wyoming open mic in 2008, The Patti Fiasco quickly earned wide critical acclaim, a devout fan base spanning the West and Midwest, and radio play across the nation. The band has shared the stage with renowned acts Big Head Todd and the Monsters, The Black Lillies, Ben Harper and Charlie Musselwhite, Justin Townes Earle, Great American Taxi, Cracker, Greensky Bluegrass, The Futurebirds, Born in the Flood, Lukas Nelson and the Promise of the Real, and Grammy-nominated Cajun band Feufollet.

Their 2013 release, “Small Town Lights,” has garnered multiple accolades, including Wyoming Public Radio’s Best Regional Album award, FoCoMA’s Best Album award, and high positioning on the Colorado charts. It finished in the top 10 most-played Colorado records of 2013. The single of the same name received national radio play and was featured in the film “Whensday.” “Nobody’s Girl,” from the band’s self-titled 2011 debut, was that year’s top-spun single in Colorado.

The Patti Fiasco has participated in a variety of renowned showcases, including Lafayette Louisiana Downtown Alive and two appearances at SXSW, where they were backed by Colorado music powerhouse SpokesBUZZ. The WYOmericana Caravan tour, which the New York Times covered in a full-page spread, featured The Patti Fiasco in 19 shows across five states and the band was recently pegged by Paste Magazine as a “Band to Listen to Now.” –Johannah Racz (http://www.pattifiasco.net).